Last night was the big night! Hubbard Street Dance Chicago‘s (HSDC) season opener at the Harris Theater with the world premiere of SCARLATTI by Twyla Tharp. A packed house (they even had to open up the balcony) full of Chicago dance enthusiasts, including our favorite fan-in-chief Mayor Emanuel and his family, was virtually vibrating with anticipation for a great show. As usual, HSDC did not disappoint.
Tharp’s SCARLATTI, set to the music of Domenico Scarlatti, opened the show. Extremely musical; lightening fast, vivid footwork; carefree, fun attitude and work-your-tail-to-the-bone difficult. In other words, quintessential Tharp. The dancers made it look easy. It isn’t. Not by a long shot. To say it is simply about the music and the dancing (although it is) is misleading. There is nothing simple about it. Using her evil genius mind and savant-like musical knowledge, Tharp creates a dizzying whirlwind of dancers entering and exiting the stage in a nanosecond. Part of the dizzying effect was due to the costumes, designed by Norma Kamali. White, black, neon yellow, stripes, leopard spot, headbands, arm bands…too much. Quite frankly, the costumes were distracting. The thirty-minute piece was non-stop, balls-to-the-walls dance finishing with a cute wave from new company member David Schultz as if to say, “hi, I’m here!” Standing ovation. The audience ate it up and Tharp postponed her bow to hug each of the dancers.
Nacho Duato’s Arcangelo, the next work on the program, is one of my favorite pieces in HSDC’s rep. A reflection on heaven and hell danced by four couples is set to the music of Arcangelo Corelli and Alessandro Scarlatti, who was the father of Tharp’s composer. HSDC brought the work into it’s rep last fall and is the only US company to perform it. (You can read my interview with Duato from last fall here.) It is gorgeous and the dancers performed it seamlessly. One audience member stood up to applaud at the curtain before everyone else. Mayor Rahm Emanuel. Too cool.
Walking Mad by Swedish choreographer Johan Inger closed the show. Quite a few people had been talking about this piece, trying to convince me I had seen it before. I hadn’t. This is something you have to see to believe and you won’t soon forget it. (Note to Alejandro: party hats, wall, Bolero…now I know!) An ingenious mix of silliness, heartbreak, passion, despondency, acrobatics, strength and talent, set to the driving force of Ravel’s Bolero. Originally created ten years ago for the Nederlands Dans Theater, the work utilizes a wall set piece that has the dancers moving through four doorways, around, over and on the wall which also lowers to the floor, raises and folds to create a shadowy corner. I loved it.
Once again, to name stand outs would be to list every single performer. New company members Schultz and Garrett Anderson (Alice Klock was not in this cast, but I’m hoping to see her on Sunday) fit in like they’ve been here forever and are definitely where they belong. The show runs through Sunday and it is a must see. HSDC just gets better and better.