It was a celebration. A celebration of dance. A celebration of the end of an all-free, world-class dance festival. A celebration of the city we love. Last Saturday night, thousands gathered – including Mayor Emanuel – at the Pritzker Pavilion in Millennium Park to enjoy a perfect evening under the stars surrounded by the Chicago skyline for the final night of the 2013 Chicago Dancing Festival (CDF). Dancers representing 13 different companies treated lucky ticket holders to an array of dance styles over the five day festival culminating in this star-studded performance in the heart of downtown.
The celebration began with a CDF commissioned work by Chicago artists Lane Alexander and Bril Barrett for the Chicago Human Rhythm Project, which premiered earlier in the week. In the beginning… created an entire world including soundscape, conversation and relationships with rhythm and footwork. The Joffrey Ballet followed with Jerome Robbins’ 1945 work Interplay. This perky ballet that predates his acclaimed West Side Story is a fiendishly difficult, but fun romp incorporating bright colors, pony tails, big smiles, lots of pirouettes, double tours and even cartwheels. Much to the crowd’s delight, Giordano Dance Chicago‘s Maeghan McHale and Martin Ortiz Tapia brought back a 2012 CDF commission and audience favorite with Alex Ekman’s rubber-faced, romantic comedy piece Two Become Three.
In their CDF debut, Philadelphia-based Philadanco brought a long, meandering work by Rennie Harris. The dancers clad in Soul Train-era, 70s costumes (love the afros!) blend street, jazz and hip hop in an aerobic mix of stylish funk. The dancers were strong in Wake Up (2012), but I wanted to see them do more. Tamako Miyazaki (Columbia Classical Ballet) and Brooklyn Mack (Washington Ballet) once again dazzled in the classical Diana and Actaeon pas de deux (1935). They performed this trick fest earlier in the week, but were even more solid with their dizzying turns and gravity-defying leaps (and some impressive balances en pointe, penché anyone?) than their stellar performance on Tuesday night. “Standing O” in the park. Samuel Lee Roberts of Alvin Ailey American Dance Theatre reprised the intense, dramatic solo In/Side (2008) he had performed on Wednesday and twice on Friday. Roberts danced his heart out on the stage on Saturday, but with a good amount of the choreography performed on the floor, I wonder if it read as well for the people on the lawn viewing the performance mainly via video feed provided by HMS Media on a huge jumbo tron screen. I hope it did, because it was fantastic. The evening ended with Ensemble Español‘s epic Bolero. This flamenco feast for the eyes looked great on the outdoor stage and was the perfect way to end the performance and the festival.