Where Are They Now? Luna Negra’s Christopher Bordenave

Dancer Christopher Bordenave.

Having worked with Nacho Duato, Alonzo King, Desmond Richardson, and of course, Luna Negra Dance Theater‘s Gustavo Ramirez Sansano, it’s not surprising that after Luna closed its doors, Christopher Bordenave landed on his feet.

Were are you now?

I am currently in San Francisco, CA through the fall, but the majority of my things are in Los Angeles.

What are you doing now?

Since Luna’s closure I moved back home to Los Angeles. I am currently dancing with Zhukov Dance Theatre, a project based dance company in San Francisco, and I am also working for BODY TRAFFIC which is a contemporary based repertory company in Los Angeles. Both company’s schedules are pretty flexible, so I have been blessed enough to juggle back and forth between them.

What do you miss about Luna?

I miss everything about Luna…the people, the direction, the repertory. There was no other dance company in the states doing the type of work we were doing. Gustavo allowed every choreographer that came to work with us during my time at Luna, the utmost freedom to create whatever they wanted. Usually companies are looking for something specific to be able to market and sell to presenters, but we were free from those restrictions, which in turn allowed truly remarkable work to emerge.

What was special about Luna? What did it mean to be a “Lunatic”?

Dancing Gustavo’s work on stage was the first time I truly felt like I was a part of FINE art. Being a “Lunatic” was like nothing else I’ve ever experienced while training or working professionally. I have never felt more love and comfort from the people that I shared the space with like I did there. Gustavo shifted my whole paradigm on dance and turned me into an artist. I can be very cerebral at times and get lost in my thoughts throughout the work day which is hard for most directors/choreographers to work with, but Gustavo understood me. He was patient with me and allowed me to be a part of his genius vision, along with all of the other brilliant “Lunatics,” which I am forever grateful for.

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