Aspen Santa Fe Ballet Comes Back to Chitown

Aspen Santa Fe Ballet dancers in Alejandro Cerrudo's "Last". Photo by Sharen Bradford.

Aspen Santa Fe Ballet (ASFB) has been busy. Earlier this year, their touring schedule took them to Moscow, Saratoga Springs, CA. and Wolf Trap. The current season, which began on Sept. 1, has already taken them to Laguna Beach, Portland, Oregon and San Diego. The tour finishes this Saturday, Oct. 5 in Chicago at the Harris Theater. Former Joffrey Ballet dancer Tom Mossbrucker brings his company back to town with a mixed repertory program featuring three contemporary choreographers.

“We’re really excited about the program we’re doing in Chicago because it’s all commissioned work,” said Mossbrucker. “It’s become one of our hallmarks, developing relationships with the choreographers instead of just seeing them one time and then never seeing them again. You develop a trust and it shows in the work. This program really highlights that.” Over Glow, “an upbeat piece that shows off the classicism of the dancers”, is the fourth work by Jorma Elo for the company. Set to Mendelssohn and Beethoven, it features an 11-minute adagio in the middle section with intimate moments that contradict Elo’s usual quick, jerky style. “It’s one of my favorite pieces in the repertory,” Mossbrucker said. “I just love it.”

The company is also working with Spanish choreographer Aayetano Soto for the fourth time. Beautiful Mistake, inspired by “the mistakes we make in our lives that sometimes turn out to be good things”, is his second commission for ASFB. His work Uneven appeared in Chicago at the Chicago Dancing Festival in 2011. “It really shows off that hard-edged side of the dancers,” Mossbrucker said. “His super-physical partnering and the articulation of that makes the dancers look like technical athletes, but with the classical lines still there.” This new work premiered in Aspen earlier this year.

The third work on the program (and the one I’m most excited about) is by Hubbard Street Dance Chicago‘s resident choreographer Alejandro Cerrudo. Mossbrucker, who has seen and presented Cerrudo’s work many times over the last few years, is a big fan. Having danced with Hubbard Street director Glenn Edgerton at Joffrey, he asked his longtime friend if he could “borrow” his choreographer. “He [Cerrudo] has such an intuitive way of knowing what would strike an audience and how many times to introduce it, how to refer to it and to develop off of it,” said Mossbrucker. “There is always something…an image you remember when you leave the theater.” Having such a packed touring schedule meant that they would be traveling with bare bones, so there won’t be any elaborate sets or dramatic theatrics in this work this time – “just pure Alejandro”. This is also the first time Chicago has seen Cerrudo’s work presented on a company outside of Hubbard Street. “I was in the studio watching him create,” Mossbrucker said, “and there was one of those moments where I said, ‘There it is. That’s what I’ve been waiting for’.”

Aspen Santa Fe Ballet at the Harris Theater, 205 E. Randolph St., Saturday, Oct. 5 at 7:30 p.m. Tickets are $25-$75; call 312.334.7777 or visit harristheaterchicago.org.

 

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