Hubbard Street Does It Again

Hubbard Street dancer Meredith Dincolo in "Fluence". Photo by Quinn B Wharton.

I realize it’s redundant for me to exclaim how spectacular Hubbard Street Dance Chicago is, but…well, they are. Last night’s opening night performance of the Fall Series at the Harris Theater was standard in its phenomenal performers and thoroughly entertaining choreography, but with a few surprises. Works from master choreographers Mats Ek and Ohad Naharin, plus a new work from Princess Grace Award winner (and former Hubbard Street dancer) Robyn Mineko Williams and a world premiere duet by resident choreographer Alejandro Cerrudo showcased the company’s talents from top to bottom.

The first surprise was the emergence of Williams as a thoughtful choreographer that can hold her own with the best of them. Not a shock since we’ve seen her work before, but Fluence was the first time she and her handpicked creative team put it all on stage in a longer, cohesive piece. Quirky chaotic moves turn into a slow duet. A group twitches alongside a lone dancer in his own world.  And then came the bubbles. Yes, bubbles. The delicate spheres came raining down creating a serene, space-like atmosphere. A sole column filled with smoke disintegrated in a puff above dancer Meredith Dincolo, whose solo ended the work with a horizontal disjointed backstroke.

Hubbard Street never lacks for stunning duets in their works, but Surprise #2 is, this time, the couples are female. Emilie Leriche and Alice Klock connect effortlessly in Fluence and Ana Lopez and Jacqueline Burnett in Cerrudo’s Cloudless proved a perfect pairing for his intimate choreography. Cerrudo’s newest work, his 12th for the company, features a dark (obviously) stage, stripped bare with two industrial chandeliers highlighting the dancers. Although we may have seen some of his deft duet designs before, they look completely different (dare I say, even more intimate) set on two women.

The rest of the performance was – no surprises here – stellar dancing of audience favorites Passomezzo (Naharin) and Casi-Casa (Ek). Naharin’s romantic, human duet was at times rough, sweet, funny and endearing with some really difficult, knee-killing dancing by Kellie Epperheimer and Johnny McMillan. The company danced Ek’s work for the first time last season and they have really settled into the piece. Comfortable and at ease, they breezed through the extreme choreography with style and aplomb. Here, the men shined. Quinn B (“Legs”) Wharton opened with a smart, sassy take on the “TV Man” solo and the trio of McMillan, David Schultz and Jesse Bechard gets better and more poignant with each viewing.

Shout out to costume designer Hogan McLaughlin for his futuristic take on leotards in Fluence and a hearty BRAVO to lighting and tech director Matt Miller.

Hubbard Street’s Fall Series runs through Sunday, Oct. 13 at the Harris Theater. Tickets are $25-$99; call 312.850.9744 or visit hubbardstreetdance.com.

 

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