Wednesday in the Park with Giselle

Crowd at Pritzker Pavillion for Paris Opéra Ballet's live simulcast of "Giselle". Photo by Robert Carl.

An estimated 14,000 people showed up at Millennium Park Wednesday evening to watch the live simulcast of the Paris Opéra Ballet‘s performance of Giselle.  After a greeting from Chicago’s Department of Cultural Affairs and Special Events (DCASE) Commissioner, Michelle T. Boone and a few words from Brigitte Lefèvre, Paris Opéra Ballet’s Director, the audience fixed its collective gaze at a giant screen  set up on the Pritzker Pavilion stage.  The LED screen set up by Staging Solutions was 18′ x 32′ according to the City’s press release or 16.5′ x 32.5′ according to Hedy Weiss in the Chicago Sun Times – it was big!  Hi-tech, LED, surround sound and arguably the most famous ballet company in the world performing my favorite ballet…for free.  I love my city!

Chicagoans have been privy to this ballet before.  Local fave Joffrey Ballet presented Giselle in October 2007 and American Ballet Theatre has performed it here numerous times, most recently in March.  The ballet was created for the Paris Opéra Ballet in 1841, however, the current version was staged by Patrice Bart and Eugene Polyakov in 1991.  The french version is pretty much the same as what we’ve seen before with one notable exception.  The Americanized adaptations throw in more grandiose choreography.   For instance, ABT’s version has Albrecht’s brisé diagonals and grand jumps in Act II, where Paris Opéra has him doing slow changements that grow into a crescendo of entrechat quatré and six (performed with great ballon by Nicolas Le Riche).  Where ABT’s Myrta breezes back and forth across the stage and in and out of the wings in a bourré flurry, Paris Opéra’s Myrta’s doesn’t leave the stage, stopping and balancing in sous-sus before taking off again, an exercise in complete control (danced brilliantly by Nolwenn Daniel – she was scary!).    Clairemarie Osta’s Giselle was a sweet, innocent take on young love, but her mad scene lacked the dramatic prowess of a Julie Kent.  Rounding out Wednesday’s cast was hottie Vincent Chaillet as Hilarion and a stellar corps de ballet.  Those Wilis were on!

Being outside had the effect of enhancing, yet separating you from the performance.  The breeze made you feel like you were in the glen celebrating the wine festival and as the sun set and the sky became darker, you could imagine yourself in a wooded graveyard.  The minimal downside was random fire engine sirens and the weekly fireworks exploding at nearby Navy Pier, but that made the experience uniquely Chicago.  There was a disconnect not being in the theater.  A twice-removed feeling: one, you’re not in the theater and two, you’re watching live dance being filmed on a screen.  Nothing beats a live performance experience, but knowing it was being performed live a few hundred feet away (and below) was pretty cool.  The actual filming was fantastic with close-up shots of the lead dancers, a peak into the orchestra pit, an angled shot that showed a hint of the entrances from one wing.  It gave those of us in the cheap (free) seats a VIP feel.

 

Chicago Dancing Festival 2012

Martha Graham Dance Co dancer Xiaochuan Xie on the Pritzker stage.

The Chicago Dancing Festival (CDF) hits Chicago stages for a week of free dance performances again this August.  Now in its sixth year, CDF – the brainchild of Lar Lubovitch and Jay Franke – is expanding (again) to six days of events with new programs and a couple of commissioned world premieres to boot!  RB will be part of CDF’s blogger initiative for the second year, bringing you sneak peeks, dancer/choreographer interviews, event coverage, reviews and wrap ups.  I’ll also be live-Tweeting pre- and post-event coverage for the Fest complete with photos, behind-the-scenes happenings and audience quotes.

New to the fest this year is an all-Chicago program, Chicago Dancing, featuring local faves Hubbard Street Dance Chicago (HSDC) and Joffrey Ballet and three CDF commissioned works.  Giordano Dance Chicago (note the new name!) makes its CDF debut in a work by Swedish choreographer Alexander Ekman.  New York-based choreographer Nicholas Leichter will work with the After School Matters students to create a world premiere honoring the memory of Maggie Daley, former first lady of Chicago, who started the program in 1991.  A two-week residency led by Larry Keigwin blends dancers and non-dancers from Chicago into a world premiere, Bolero Chicago.  Keigwin’s new work, set to Ravel’s most famous score, will incorporate local movement traits for a uniquely Chicago piece.  New groups performing at the fest this year include Pacific Northwest Ballet and Ballet Arizona, along with returning companies San Francisco Ballet, Houston Ballet, New York City Ballet, Martha Graham Dance Company and Brian Brooks Moving Company.

A partnership with Chicago SummerDance, the city’s outdoor dancing series, for Dancing Under the Stars and prolific local dance writer Zac Whittenburg leads a lecture demonstration, Chicago Now, with local companies at the MCA Stage.  Programming for both of these event to be announced at a later date.   A day of Dancing Movies also takes place at the MCA with films including PINA, All Is Not Lost, Two Seconds After the Laughter and Fanfare for Marching Band curated by local artist Sarah Best.  The fest always ends with a Celebration of Dance at the outdoor Pritzker Pavilion stage in Millennium Park showcasing a number of artists that have performed throughout the week.

Tickets for all of the events are free, however, you do need to reserve seating for the indoor theaters in advance.  These will “sell out” very fast!  More information on tickets will be available the week of July 16th.

Dances Made To Order: Chicago Edition Premieres TODAY!

Three films from Chicago dance artists premiere online today for the Chicago series of Dances Made To OrderThe Dance Center of Columbia College curated the May round of the film series created by Dances Made To Order co-founders Kingsley Irons and Bryan Koch.  Local artists Kaitlin Fox, Atalee Judy and Nadia Oussenko had about two weeks to create dance films utilizing three concepts (clocks and paint, struggle against biology, repulsion/desire) voted on by members.  Fox’s Origin features one dancer (Gretchen Soechting), covered in what looks like mud, in a black and white setting of shadows and boxes set to New Age music.  Judy’s Wasteland shows off her trademark punk style as she adorns and destroys alarm clocks (is the clock belt a reference to her biological clock?) to Barry Bennett’s frantic drums.  Oussenko’s Dance of the Queer Tide Faeries takes a fun turn with three dancers (Oussenko, Rachel Damon, Christopher Knowlton) clad in primary colored crinolines playing on the lakefront.

You can watch all three films online for $10.  For more information, visit: dancesmadetoorder.com.

Read my preview here.

Step Up Revolution – trailer

Let’s face facts. As a (former) skinny, white girl from Central Illinois, I don’t know much about hip hop and it’s really funny to watch me try to do it, but that doesn’t mean I don’t enjoy watching it.  In fact, a few weeks ago while prone on my couch with the flu, I came across Step Up 2: The Streets on tv.  Recognizing Harry Shum Jr. from Glee, I decided to watch.  They can do some cray cray moves!

Step Up Revolution – the fourth in the series – hits theaters this summer.  The newest film features Kathryn McCormick, known for her stints on So You Think You Can Dance as a season 6 contestant and season 7 all star. This one is set in Miami and has the usual suspects – some hot guys, cool girls and talented street crews in showdown mode.  My favorite is Moose (Adam G. Sevani), the little nerdy guy.

Here’s the trailer:

 

 

Girls On Film

Dancer/choreographer/filmmaker Kailtin Fox.
Dancer/choreographer/filmmake Nadia Oussenko.  Photo by Daniel Kullman.
Atalee Judy.  Photo by Carl Wiedemann.

Three local dance artists are taking their talent to the screen.  The Dance Center of Columbia College is curating this month’s edition of Dances Made To Order, an online film series created in 2011 by LA team Kingsley Irons (dance maker/producer) and Bryan Kock (filmmaker) that features a different city’s artists each month.  Columbia College peeps Colleen Halloran, Richard Woodbury and Bruce Sheridan chose Kaitlin Fox, Atalee Judy and Nadia Oussenko as the three artists to represent Chicago.

Here’s how it works:  pay a one-time membership fee, $10 for one month (if you only want to see the Chicago films) or $50 to see all the films created this season online.  Once you sign up, you can vote on the themes the filmmakers will be required to use.  Voting – which is FREE – for the Chicago series started yesterday and runs through May 10th at midnight. (I just voted and can’t wait to see what these lovely ladies come up with!) 65% of the revenue raised goes back to the artists.

Besides dance, choreography and filmmaking, Fox, Judy and Oussenko have something else in common.  All three received an email from Columbia College Dance Department Chair, Onye Ozuzu.  “Onye sent me a cryptic email,” Judy said.  “I was a little cautious, because I’d never heard of it.  They’ve got a Netflix kind of thing going on, but with a different concept.”  Fox and Oussenko had never heard of the series either, but all three warmed to the idea quickly.  These lovely ladies have dabbled in filmmaking before, so the process isn’t new, but new challenges will be thrown at them.  For one, it’s difficult to plan a shoot if you don’t know what the film will be about.  Five themes will be voted on taken from questionnaires the artists and their collaborators filled out earlier in the year.  Three of those five themes will be incorporated into each film.  “We can start to plan, but we really don’t know,” said Oussenko.   Fox said she’d been trying to make a dance that would incorporate all five themes, but that plan has been put on hold.  Since graduating from Columbia in 2010, she admits it takes a bit longer to get that “creative kick”.  “I’ve been trying to find ways to expand creatively,” she said.  “This should be a good learning experience.” And Judy said, “I’ve been thinking about it, but it’s futile.  There are certain things you can’t prepare for.  We’re going to wing it and hope to be inspired.”

While, the trio is concerned about the time limit of two weeks for filming, production and editing, some of the rules may help with the process.  “It helped simplify,” said Fox.  “It allows us to scale back.”  Oussenko worries about scheduling.  “You have no idea how hard it is to just get five people together,” she said.  Judy thinks the time frame is “doable” since she’s done a series of film shorts called Danse Skitz for her company BONEdanse, but she’s clearing her schedule for those two weeks, just in case.  The range of freak out is “kind of scary” to “half excited, half nervous” to “I’m terrified”.

For dancer bios and more information or to sign up and vote, go to DancesMadeToOrder.com.