Joffrey dancers Jeraldine Mendoza & Dylan Gutierrez. Photo by Dave Frieddman.
Tomorrow night begins Joffrey Ballet‘s two-week run of American Legends at the Auditorium Theatre. Rehearsals were in full swing last Friday when I stopped by the studios for a peek. Artistic Director Ashley Wheater and Ballet Master Nicolas Blanc were fine-tuning sections of Jerome Robbins’ Interplay in one studio, while Crista Villella (daughter of Edward Villella, founding director of Miami City Ballet) coached two couples in Twyla Tharp’s Nine Sinatra Songs down the hall. Wheater discusses an awkward prep for a double tour to the knee with dancer John Mark Giragosian before running a killer fouette section multiple times. Villella focuses on tricky handholds in difficult lifts (it’s Twyla, ain’t nothing going to be easy) to the sounds of Sinatra’s theme song My Way.
Robbins’ 1945 work Interplay is a fun, youthful prelude to his masterpiece West Side Story that has major classical ballet moves mixed with cartwheels. Tharp’s ode to ‘Ole Blue Eyes is a series of duets in various stages of romance with costumes by Oscar de la Renta. All American legends. The Chicago premiere of Son of Chamber Symphony by Houston Ballet Artistic Director Stanton Welch (Australian-born, but perhaps an American legend in the making?) takes classic ballet to a new place with deconstructed costumes made to look like inside-out tutus. (I’ve heard they are a bitch to partner in.) Set all of this to live music by the Chicago Philharmonic, add in a romantic, mystical pas, and you have the makings for a lovely Valentine-timed show.
On opening night dancers Jeraldine Mendoza (21) and Dylan Gutierrez (23), partners on and off stage, have the privilege of dancing Joffrey co-founder Gerald Arpino’s 1962 romantic pas de deux Sea Shadow in honor of what would be his 90th birthday. The duet feels like a rite of passage for the young couple who are quickly rising stars. Mendoza made heads turn in Wayne McGregor’s Infra last season and gained notoriety by winning a scholarship from the Leonore Annenberg Fellowship Fund. Gutierrez made a name for himself stepping in for an injured dancer in Tchaikovsky Pas de Deux for last season’s gala and as “Basilio” in Don Q. He solidified his stature (pun intended, he’s tall!) as a strong Cavalier for opening night of The Nutcracker this season. The two don’t normally dance together and are excited about this opportunity.
The 12-minute pas tells an Ondine-esque story of a man on a beach that falls in love with the idea of a perfect woman. Is she a shadow of the sea? Is she real? Mendoza thinks she’s something more. “I interpret it as I’m a mermaid,” she said. “She’s this mysterious creature that he’s so interested in.” Gutierrez’s take is a little different. “She’s like a fantasy,” he said. “She’s seducing him, but she doesn’t know how. She has as much interest in him as he has in her.” They admit some of the lifts and choreography are difficult, but they are ready for the challenge. In fact, they welcome it. “I think Ashley sees in both of us that we’re hungry and willing to dance,” said Mendoza. “I just love dancing and I want him to totally trust in me.” Gutierrez adds, “We’re people that when the opportunity presents itself, we don’t back away. Every role we’ve gotten, we’ve earned, even though they’ve come quickly. That’s just circumstance. It’s what you do with the shot when you get it. We’ve always delivered.”
The two have dated for over a year and admit that knowing each other so well makes a difference when dancing together and they make an effort to keep a certain distance emotionally on stage. Will falling in love in front of a large audience be a problem? “It’s easy,” said Gutierrez. “I already love her at the beginning of the ballet.”
Gutierrez, with the help of Mendoza (and friend Ruben Harris), started a movement called Young + Cultured. You can follow them on Twitter – @DylanthaVillain, @jeraldineeeee #YoungandCultured.
Joffrey Ballet presents American Legends at the Auditorium Theatre, 50 E. Congress Pkwy., Wednesday, Feb. 13 – Sunday, Feb. 24. Performance times vary. Tickets are $31-$152. Call 800.982.2787 or visit ticketmaster.com.