The Seldoms’ Philip Elson Dishes on Mix With Six

The Seldoms dancers Amanda McAlister and Philip Elson in "Exit Disclaimer". Photo by Brian Kuhlmann.

“I’ve been a curious creature all my life,” Philip Elson told me last week. “Try everything once. That’s my thought process.” Elson, a graduate of Columbia College, dances with The Seldoms and serves as their Technology and Media Coordinator. Along with dancing for other groups and independent artists around Chicago, most recently guesting with Same Planet Different World for the opening of FlySpace Dance Series, he also is an Apple “Genius”, adept at video editing/archiving, sound scoring, filming dance and curating (Red Tape Theatre). Try everything once. It seems he’s good at everything he tries.

A Fort Worth, Texas native, Elson began taking dance and gymnastics at the age of three, eventually dropping the gymnastics to focus on jazz and ballet and perform on the competition/convention circuit, even appearing on Star Search with Arsenio Hall. After three semesters at New York University studying musical theater, he returned to Texas and got his first taste of modern dance at 19. “I kind of fell in love with it,” he said. “One of the things I really love about dancing is the exploration…that pureness, That rawness of just feeling movement. It felt like an opportunity to explore movement that I never felt possible before.”

Elson, 26, met Seldoms artistic director Carrie Hanson when he moved to Chicago in 2008 to study dance at Columbia where she was one of his professors. The first week of school, he went to see The Seldoms performance Convergence, which was set in a 17,000 square foot garage space. He was blown away. Shortly thereafter, he remembers her telling him to “Be on the lookout.” For what? He wasn’t sure until he saw a sign posted for male auditions for The Seldoms and thought, “This is it.” He’s now in his fifth season with the company. “What drew me to her work is twofold. The anatomical nature of it, because of her history with Laban and the way that she’d talk about it as you’re learning it. She was my anatomy teacher at the time and everything was clicking. The body exploration was really athletic. She was able to help me find the ease in my athleticism, a softness in that. It’s still powerful, but not spazzy. It’s really clear.”

Elson admits he made his first solo for himself (to Gloria Estefan’s Turn the Beat Around) at age seven. The interest in creating dances was there, but not the confidence. He felt he was stronger as a dancer, but wanted to learn more about choreography. When Hanson asked her dancers to make in-house works for the upcoming show Mix With Six, he took it as a challenge. “I hate making solos with a passion. I do,” he said. “I find it so much easier when there are relationships and bodies to work with.” So naturally, he decided to create a solo on fellow dancer Cara Sabin that will appear this weekend along with dances from Damon Green, Amanda McAlister, Bruce Ortiz and Javier March├ín-Ramos.

Elson’s Between Means and Ends, a work explores the relationship and space between chaos and stability, began with a introspective and unique process including writing about insecurities, staring in a mirror, and a theory of movement he created in college called “The Exhaustion Theory”. “The way it works is if you totally tax yourself physically and mentally, you have no choice but to move with ease and efficiency,” he said. “You don’t have the energy for all the extra stuff. That was my way to get people to find a certain physicality, but also vulnerability.” Elson and Sabin did a 45-minute boot camp followed by a disorientation exercise taking about an hour and a half before standing still with their hands over their heads for 10 minutes. “It’s hard, but movement, a motif, came out of that. I’ve always thought Cara has such an interesting body. I’m fascinated by the way she moves and her strength, her flow and her longness. I wanted there to be this mesh of my ideas with her interpretation.”

The Seldoms presents Mix With Six at Constellation/Link’s Hall, 3111 N. Western Ave., Friday-Saturday, April 12-13 at 8 pm and Sunday, April 14 at 7 pm. Tickets are $15; call 773.281.0824 or visit mixwithsixlh.eventbrite.com.