Three local dance artists are taking their talent to the screen. The Dance Center of Columbia College is curating this month’s edition of Dances Made To Order, an online film series created in 2011 by LA team Kingsley Irons (dance maker/producer) and Bryan Kock (filmmaker) that features a different city’s artists each month. Columbia College peeps Colleen Halloran, Richard Woodbury and Bruce Sheridan chose Kaitlin Fox, Atalee Judy and Nadia Oussenko as the three artists to represent Chicago.
Here’s how it works: pay a one-time membership fee, $10 for one month (if you only want to see the Chicago films) or $50 to see all the films created this season online. Once you sign up, you can vote on the themes the filmmakers will be required to use. Voting – which is FREE – for the Chicago series started yesterday and runs through May 10th at midnight. (I just voted and can’t wait to see what these lovely ladies come up with!) 65% of the revenue raised goes back to the artists.
Besides dance, choreography and filmmaking, Fox, Judy and Oussenko have something else in common. All three received an email from Columbia College Dance Department Chair, Onye Ozuzu. “Onye sent me a cryptic email,” Judy said. “I was a little cautious, because I’d never heard of it. They’ve got a Netflix kind of thing going on, but with a different concept.” Fox and Oussenko had never heard of the series either, but all three warmed to the idea quickly. These lovely ladies have dabbled in filmmaking before, so the process isn’t new, but new challenges will be thrown at them. For one, it’s difficult to plan a shoot if you don’t know what the film will be about. Five themes will be voted on taken from questionnaires the artists and their collaborators filled out earlier in the year. Three of those five themes will be incorporated into each film. “We can start to plan, but we really don’t know,” said Oussenko. Fox said she’d been trying to make a dance that would incorporate all five themes, but that plan has been put on hold. Since graduating from Columbia in 2010, she admits it takes a bit longer to get that “creative kick”. “I’ve been trying to find ways to expand creatively,” she said. “This should be a good learning experience.” And Judy said, “I’ve been thinking about it, but it’s futile. There are certain things you can’t prepare for. We’re going to wing it and hope to be inspired.”
While, the trio is concerned about the time limit of two weeks for filming, production and editing, some of the rules may help with the process. “It helped simplify,” said Fox. “It allows us to scale back.” Oussenko worries about scheduling. “You have no idea how hard it is to just get five people together,” she said. Judy thinks the time frame is “doable” since she’s done a series of film shorts called Danse Skitz for her company BONEdanse, but she’s clearing her schedule for those two weeks, just in case. The range of freak out is “kind of scary” to “half excited, half nervous” to “I’m terrified”.
For dancer bios and more information or to sign up and vote, go to DancesMadeToOrder.com.
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